Showing posts with label liminality. Show all posts
Showing posts with label liminality. Show all posts
Saturday, April 11, 2015
the secret changes
Labels:
change,
Christ,
darkness,
Divine Beloved,
Easter,
faith,
found poem,
God,
grace,
heart,
Jesus,
joy,
liminality,
love,
night,
paradox,
passion,
prayer of the heart,
transformation,
Vigils
Saturday, February 21, 2015
This Nest
This
nest is a shadow slipping away from itself into the body of the world.
This
nest is the back of a pirate’s head, stern and foolish in its seadrenched
tousle of cloth.
This
nest is the wing of a raptor, tipped with sky and the shouts of smaller creatures
on the forest floor below.
This
nest is the punctuation of weather.
This
nest is a whirlwind, mute but full of consequence.
This
nest is an acclamation, a bow to the magic of work in the night.
This
nest is a cave, silent until you go deep enough to hear the sound of
waterfalls.
This
nest is a knot in the archetypal tree of life, puzzled by its own antiquity and
size.
This
nest is the way a well looks suspended in air and soft with the deficit of
shallow mud.
This
nest is a big velvet curtain with a heavy tasseled cord to make it move.
This
nest is a wooden barrel waiting for the warm rain of April.
This
nest is the head of a bear, asleep in a place no one knows to look for.
This
nest has the bold but fragile determination of wax across the lip of an
envelope, waiting to be disturbed and even broken.
This
nest is a witness to the work of dry days in midwinter.
This
nest is the shift of a clenched fist into an outstretched palm, offered
sideways as a salutation and a nod.
This nest
wants to be a bonfire but settles for claiming the bodies of fierce and
dangerous creatures who carry the sting of flame.
This
nest is a saint, a relic of patience.
This
nest is the cousin of the mountaintop it frames against the silver winter sky.
This
nest is some kind of promise, a paradox of stillness hoarding strength.
This
nest is a cloud heavy with repentance and ready to shed its burdens into the
waiting boughs of leafless trees in Lent.
This
nest has a language made of scents and shapes, of the flavors of treebark and
basil, of the song that the eaves sing in high winds.
This
nest knows things about the land that no one else does. It might be waiting for
the question that will make it hum like a harp or a banjo.
This
nest is the cape of a journeying hero, ragged from the clutch of foreign
caverns.
This
nest is a sheet of lightning, waiting for the chance to be a fork.
This
nest is a boulder stuck in the cleft of a rushing river, eager to make friends
with stranded paddlers.
This
nest is the head of a giant, used to the way things look in thinning air.
This nest
claims its own sovereignty but still does what the stormwinds say it should.
This
nest knows the syllables of three seasons and hopes to learn the language of
the fourth.
This
nest is not a compromise or a loss. It lives with being torn apart and
shredded. A little bit of its sleeping heart will hang around like a hologram
in the space above the forest when it falls, even if the textures of its walls
have long since crumbled. Its brokenness is part of the horizon’s memory palace
forever, one of those subtle claims that nature has on time, a bookmark
inserted in between the pages of an empty wordless book shaped like a circle.
©Laura Sorrells 2015
all rights reserved
Labels:
change,
grace,
home,
hornets' nest,
liminality,
metaphor,
nature,
synesthesia,
via negativa
Tuesday, September 4, 2012
Little Cloud
©Laura Sorrells 2009
all rights reserved
Sunday, April 8, 2012
A Window
Here,
beyond the tossing dispossession
the world's blue furnace
teaches,
we taste the strange and unutterable
bread of Silence.
A river of emptiness,
original and deep,
descends into our country
like a blade.
Beyond names
and secrets,
a window waits,
in love with the foolish poverty
of forever.
--lks 4/5/12
I put together this found poem from Thomas Merton's Book of Hours while I was on retreat this past Thursday at the Trappist monastery with which I am becoming affiliated as a lay ecumenical oblate.
beyond the tossing dispossession
the world's blue furnace
teaches,
we taste the strange and unutterable
bread of Silence.
A river of emptiness,
original and deep,
descends into our country
like a blade.
Beyond names
and secrets,
a window waits,
in love with the foolish poverty
of forever.
--lks 4/5/12
I put together this found poem from Thomas Merton's Book of Hours while I was on retreat this past Thursday at the Trappist monastery with which I am becoming affiliated as a lay ecumenical oblate.
Tuesday, October 4, 2011
A Turning
This rich and hungry silence is what I have instead of what I had. The peak of the mountain wants to be more to me than it has been. It doesn’t seem so much a peak as part of something’s body, the body of God perhaps. I keep thinking I want to investigate this thinness that feels thrust upon me, this pruning, this narrowing down and paring away. Of course in some ways it is a richness too. It has spaces where things happen that don’t have a name yet. I will doubtless give them names, probably compound words like webtime or portalhunger or twilightsight. Poplarsoul. Bearsong. As October begins I feel a turning. It always seems the most liminal of months to me, though I know months are a construct, like time. Its crepuscular denouement moves me and whispers to me. But now it’s just gotten started and the edge of fall is still warm. Its shoulder is just covered with a limning of leafshawl. It smells like loamy earth just turning cold at night. A little bit like rosemary drying into winter, crisp and full of itself but ready to be quiet and still soon. Mixing it up with thyme and fading sage next to the fallen bluebird house by the road.
Saturday’s winds were high and frisky. My mother disliked wind and sometimes I don’t like walking in it but mostly it comforts me when it gets together with the trees. My old gray cat used to play with the wind when it blew across the deck. It took me a couple of times seeing it to get that that’s what he was doing. He’d twirl and dance, trying to catch it in his paws like yarn or thread. I feel a little more alive in strong fall winds. A little more aware of the edge of things, of the delicacy of them and of how they sing when they break, like glass or the creaking throat of a bent branch.
Crickets have long since replaced the cicadas of summer. They’re shyer with their song. Last month a cicada got stuck in the glass door and clacked and buzzed much of the night. I tried to find it to set it free but I never could. The color of cicada song is a brassy goldenrod and that of crickets is auburn. I hear my own thoughts in how the crickets move their legs and wings. I hope to do that still when they stop, or maybe what I hear will lead me into some other way of knowing. Some other lingua franca, not sound but something else, like signing or the raised tininess of Braille. Just as tricky to learn perhaps. It will take me awhile to get it. Maybe I never really will; maybe my gestures and how I see the tug of shapes will always need refining. That threshold place is not new to me and I am comfortable with it. Its iterations shift shape like the colors of the horse in the Wizard of Oz but its soul is somehow familiar ground, a gentle pocosin of soft wet earth and hidden birds that fly up suddenly into sky, miraculous, wild, and free.
©Laura Sorrells 2011
all rights reserved
Wednesday, July 28, 2010
seeking and rising
Into the sterile complacency
of neglected danger,
a primeval testimony
intrudes.
Risk seeks recognition.
It renounces the mind of safety.
Imagine yourself
an unknown fool,
serving a restless yearning,
a jester who expects a stage
but dances a liminal dream,
along the edge
of rupture and shadow.
Be that acrobat.
Rise into origin,
impervious, pure,
and empty.
©Laura Sorrells 2010
All rights reserved
This is another found poem; I wrote it using Sallie Nichols' book Jung and Tarot: an Archetypal Journey (which I found used in the Canton, Georgia Goodwill store, between a tattered Paula Deen cookbook and an old copy of The House with a Clock in Its Walls.)
of neglected danger,
a primeval testimony
intrudes.
Risk seeks recognition.
It renounces the mind of safety.
Imagine yourself
an unknown fool,
serving a restless yearning,
a jester who expects a stage
but dances a liminal dream,
along the edge
of rupture and shadow.
Be that acrobat.
Rise into origin,
impervious, pure,
and empty.
©Laura Sorrells 2010
All rights reserved
This is another found poem; I wrote it using Sallie Nichols' book Jung and Tarot: an Archetypal Journey (which I found used in the Canton, Georgia Goodwill store, between a tattered Paula Deen cookbook and an old copy of The House with a Clock in Its Walls.)
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About Me
- Laura
- Georgia, United States
- I live at the edge of the forest in a little town in the north Georgia mountains. I teach sixth grade Language Arts and am writing a memoir of sorts about family, spirituality, and narrative. I am also exploring a possible writing project having to do with contemporary lay contemplative experience and how it might be informed by the Desert Fathers and Mothers of early Christianity. I am a relatively recent convert to Roman Catholicism and an admirer of Pope Francis, Leonardo Boff, Joan Chittister, and Richard Rohr. I'm a Lay Associate of Our Lady of the Holy Spirit Monastery in Conyers, Georgia. I am interested in indigenous cultures, narratives, and spirituality, especially how these can inform my spirituality as a lay contemplative. I write, read, take pictures, play around with creating ephemera from paper and cloth and other organic things. I cook, hike, watch wildlife, and collect random bits of interesting oddness, both tangible and abstract. I am a seer of smallness and a caretaker of ridiculous minutiae. If you want, e-mail me at riverrun67@gmail.com or lksorrells@hotmail.com.






