Sunday, March 22, 2015
hidden and emptied
Labels:
Divine Beloved,
Easter,
God,
grace,
heart,
Jesus,
Lent,
love,
passion,
poem,
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prayer of the heart,
silence,
Stations of the Cross,
waiting
Friday, March 6, 2015
Where I'm From (2007 version)

I am from the mountains and forests of north central Georgia, from the slanting foundation of Sorrells Springs Primitive Baptist Church, from Wild Turkey Trail and picnics in the Baldwin Street Cemetery, from the old Floyd homeplace on Dog Lane, from drinking Dancing Goats coffee with lots of sugar on College Square, from breaking curfew at North Georgia and from the greening energy of California’s Central Valley in springtime. I am from late night walks on the shores of Lake Herrick, from climbing the fire tower at Lake Conasauga, from the wall at Fort Mountain and the boom of Kennesaw cannons. I am from wild turkeys at my mother’s grave, from rose-hued sunrises over Sharptop’s spire, from go-cart paths in the pastures and from buying sweetgrass lotion at Chipa’s powwows. I am from the streets of New York City, from Big Sur and Wupatki, and from Namaste on the path at Mingo Falls. I am from wading in the Studdards’ creek, from long intellectual harangues at the Globe, and from In the Night Café. I am from the Dollar Tree and from the musty stacks at Jackson Street Books, from discount CDs at Ruthless Records and from vintage brooches found in thrift store sale bins. I am from Spanish moss on the ghost beach at Jekyll and from the tabby ruins of old Darien, from Brunswick stew and dolphins, and from Christmas fireworks over the square in Ellijay.
I am from the scent of woodsmoke at Trackrock, my grandmother’s teacakes baking, my mother’s Wind Song perfume, from Nag Champa incense and patchouli oil, from the summery funk of lakewater and mud at the Braswells’ bass pond, from the poignant waft of sweetshrub and honeysuckle through my open window in springtime, from the grittiness of Athens city streets at three a.m., and from leather and hay in the tackroom at the barn.
I am from Johnny Cash, from Radiohead, from REM playing incognito at the 40 Watt Club, from Gospel Jubilees on Sunday mornings on my grandma’s television set, from the Andy Griffith theme song, and from the haunted calls of whippoorwhills in the dusk over the soybean fields. I am from Two More Bottles of Wine, from Neal Pattman’s one-armed blues genius on Wednesday nights, from Smells Like Teen Spirit, and from my stairway settling in the wind on a cold January night. I am from silence and bluegrass, from grunge and discourse, from Southern drawls and crickets chorusing in the hardwoods. I am from Leonard Cohen and Patty Griffin, from Kind of Blue and Nighthawks at the Diner, and from the snapping self-conversation of the Epiphany bonfire over by the lake.
I am from red-eye gravy and pancakes, from strong lattes laced with nutmeg, from Grandma’s creamed potatoes swimming in butter, from tomato aspic and mayonnaise at Thanksgiving, from pepper jelly and cream cheese, from sushi at Seal Beach, from Tut’s Chicken, and from peanuts submerged in RC Cola on a hot July afternoon. I am from my mother’s fried okra, from tentative sips of my dad’s Miller Lite, from lime fizzy water, from persimmons crawling with wasps at the edge of the woods, from the infinity of blackberries, from scorched campfire hot dogs, and from my grandma’s time-honored barbecue sauce saturating chicken breasts on Styrofoam plates.
I am from Doc, Ruth, Duff, and Marjorie, from Marvin and Kathryn and Joan, and from generations of Southern housewives and farmers. I am from revenuers and sheriffs, from artistry and shock treatments, from scandal and honor, and from quiltframes and pastels. I am from bitter divorce, from grace and forgiveness, and from climbing trees and building huts in the woods with Leigh and Lynn. I am from Betsy’s crush on Erik Estrada, from Azalee’s loyal insanity, from Big Gary and Wanda, from Louis and Carolyn, from Uncle Kenneth’s incessant rocking, and from my great-aunt Fannie Mae’s recipe chests and herbal teas. I am from Mr. Gorman’s third grade writing prompts, from Hitchcock on Friday afternoons, and from making peace with small town presence and absence.
I am from Chinook’s rocking canter across the Colquitts’ pasture, from Shellie’s pawshakes and Whitefoot’s atonal howls, from Connor the fighting tom with the milky left eye, and from litter after litter of April kittens birthed under the screen porch. I am from Tess’ grave at the foot of the mountainsteps, from Scoutcat Sorrells flying into the cedar tree, from rescuing the cedar waxwing, and from Bailey the chameleon. I am from the exploding aquarium at the Van Horne house, from taming Annabel, from hawk sightings over the athletic field, and from the bear on the deck during the drought. I am from five raccoons dangling from the bird feeder, from the ghost possum leaning against the glass door, and from the jackrabbit in the desert.
I am from Ulysses, from Boo Radley saving the Finch kids on Hallowe’en night, from Pilgrim at Tinker Creek, from Julian and Lao-Tzu, and from the journals of Thomas Merton. I am from haiku and metaphor, from Yeats and Eliot, from Conrad and Hurston, from Where the Wild Things Are, Encyclopedia Brown, and A Wrinkle in Time, and from rediscovering my seventh grade diary in my dad’s attic when I was thirty-five. I am from Christabel and Blake’s Tyger, from Charlie Brown Christmas trees and Krishnamurti, from “I’m Nobody! Who are you?” and from One Hundred Years of Solitude. I am from Rumi and Issa, from Bob Dylan and Alice Walker, from Mary’s wild geese and Robert’s Mending Wall, and from Lyra and her daemon. I am from teaching Antigone to kids who can barely read, from The Highwayman and Annabel Lee, from Frankenstein and Tupac, and from reading Nikki Giovanni and Langston Hughes aloud to my students during Black History Month. I am from Wayfarers in Walton and The Bone People, from Sherman Alexie and John Steinbeck, and from student essays and poems crowding my dining room table.
I am from Kurosawa and Kubrick, from Little House on the Prairie and Tuesday nights with mom and The Gilmore Girls, from Georgia Backroads and Prairie Home Companion, from Sesame Street and The Electric Company, and from endless reruns of Northern Exposure. I am from Wild Strawberries and Lone Star, from The Last Waltz and Night of the Hunter, from Land of the Lost and Charlie’s Angels, from Hee Haw on Saturday nights and Law and Order episodes back to back on a rainy day. I am from the peace sticker on my battered old Ford sedan, from riding bikes to the corner, from the passenger seat of the blue go-cart, and from cutting my hand open on the hood ornament of my dad’s antique Buick.
I am from the warmth of flannel shirts in winter, from pinestraw beneath my bare feet, from magnolia pods crunching underfoot, from hearthheat and firewarmth at the Cove, from the gold plaid seats of my Chevy Nova, from comfort and struggle, from running through the sprinkler and inhaling chlorine water at the country club pool, from the Atlantic Ocean in December and from Pacific tidal pools crowded with black oystercatchers. I am from travel and stasis, from longing and contentment, from passion and solitude, and from loneliness and intense joy. I am from grief and connection, from remembrance and yearning, and from the celebratory richness of the journey.
----lks 2007
Labels:
change,
dad,
family,
God,
grace,
home,
mom,
paradox,
prose poem,
remembrance,
Sorrells Springs
Wednesday, February 25, 2015
Snow Day the Second
Snow
Day Number Two. The house is warm and secure, but parts of it are what you
might call ‘broken.’ It needs so much work. Essentially it is solid, but I see
the places where restoration needs to happen, where cracks and shifts show me
what it needs. Brokenness is sometimes just a pain in the ass, but it can also
be beautiful. As I sit and look out over the snow-touched landscape of the
mountain forest outside my window, I see the beauty in the brokenness of the
big hornets’ nest falling apart in the cold winter air. I see it in the
psychedelic vibrancy of the top part of a glass Victorian gazing ball I once
had on a stand in the front yard. Now the glass ball sits atop the glass table
on my snowy deck and captures hints of the shapes surrounding it. I notice the
shards of a broken cup, pale green and cream colored with strands of
peat-brown. I remember when an old boyfriend of mine, a man I almost married, bought
me that cup at the local Arts Center . There were tiny insects—not
ants, more like candleflies or termites, but not quite those either---all over
the larger, deeper pieces of pottery on the table with the cup. There was
something haunting and curiously compelling about their presence, there in the
sharpening air of late autumn. I think now too about the brokenness of memory,
or its potential brokenness. Who can say when a memory’s life becomes broken?
Perhaps it never fully does. I do know that the courage a person with such a
memory can have is more powerful than many other things that are, or seem to
be, fully intact, whole, and undamaged. The way such a person asks kindly and
respectfully for the favor of a phone call for information, over and over even
after the information was acquired and written down in two places, can begin to
break my heart. I think of the patience that question entails. Its asking
implies that that question has already, perhaps, been asked and not
acknowledged or responded to. It does not harbor irritation or anger in the
context of that. It just, quietly and lovingly, asks again. There is something
about that echo that reminds me of the grace of prayer. I am not sure if I am
thinking about the listener or the one who is praying, or maybe of the Voice of
God and the one receiving that Voice. Maybe it’s a dialectic of both. Maybe the
asking and the answering are so closely connected that they can become almost
the same. I don’t know what that would look or sound like. Maybe that coming
together would obliterate the need for asking, but maybe not. Maybe the asking
would carry its own grace, its own respectful, adoring petition for inclusion
in the heartbeat of relationship. There is, inherent in all of this, a sweet
brokenness that, paradoxically, is not truly and finally broken at all, at
least not in any sense that keeps out what needs to get in or keeps in what
needs to be released. This Lent, living into that heartbeat seems to be what I
need. I don’t know how to define it or describe it more concretely or
adequately. It wants to come to live in my heart, and I want to let it. That’s
all I seem to need to know for now.
©Laura Sorrells 2015
all rights reserved
Saturday, February 21, 2015
This Nest
This
nest is a shadow slipping away from itself into the body of the world.
This
nest is the back of a pirate’s head, stern and foolish in its seadrenched
tousle of cloth.
This
nest is the wing of a raptor, tipped with sky and the shouts of smaller creatures
on the forest floor below.
This
nest is the punctuation of weather.
This
nest is a whirlwind, mute but full of consequence.
This
nest is an acclamation, a bow to the magic of work in the night.
This
nest is a cave, silent until you go deep enough to hear the sound of
waterfalls.
This
nest is a knot in the archetypal tree of life, puzzled by its own antiquity and
size.
This
nest is the way a well looks suspended in air and soft with the deficit of
shallow mud.
This
nest is a big velvet curtain with a heavy tasseled cord to make it move.
This
nest is a wooden barrel waiting for the warm rain of April.
This
nest is the head of a bear, asleep in a place no one knows to look for.
This
nest has the bold but fragile determination of wax across the lip of an
envelope, waiting to be disturbed and even broken.
This
nest is a witness to the work of dry days in midwinter.
This
nest is the shift of a clenched fist into an outstretched palm, offered
sideways as a salutation and a nod.
This nest
wants to be a bonfire but settles for claiming the bodies of fierce and
dangerous creatures who carry the sting of flame.
This
nest is a saint, a relic of patience.
This
nest is the cousin of the mountaintop it frames against the silver winter sky.
This
nest is some kind of promise, a paradox of stillness hoarding strength.
This
nest is a cloud heavy with repentance and ready to shed its burdens into the
waiting boughs of leafless trees in Lent.
This
nest has a language made of scents and shapes, of the flavors of treebark and
basil, of the song that the eaves sing in high winds.
This
nest knows things about the land that no one else does. It might be waiting for
the question that will make it hum like a harp or a banjo.
This
nest is the cape of a journeying hero, ragged from the clutch of foreign
caverns.
This
nest is a sheet of lightning, waiting for the chance to be a fork.
This
nest is a boulder stuck in the cleft of a rushing river, eager to make friends
with stranded paddlers.
This
nest is the head of a giant, used to the way things look in thinning air.
This nest
claims its own sovereignty but still does what the stormwinds say it should.
This
nest knows the syllables of three seasons and hopes to learn the language of
the fourth.
This
nest is not a compromise or a loss. It lives with being torn apart and
shredded. A little bit of its sleeping heart will hang around like a hologram
in the space above the forest when it falls, even if the textures of its walls
have long since crumbled. Its brokenness is part of the horizon’s memory palace
forever, one of those subtle claims that nature has on time, a bookmark
inserted in between the pages of an empty wordless book shaped like a circle.
©Laura Sorrells 2015
all rights reserved
Labels:
change,
grace,
home,
hornets' nest,
liminality,
metaphor,
nature,
synesthesia,
via negativa
Saturday, January 17, 2015
The Testament of Dom Christian de Cherge
I am aware of the scorn which can be heaped on the Algerians indiscriminately. I am also aware of the caricatures of Islam which a certain Islamism fosters. It is too easy to soothe one's conscience by identify this religious way with the fundamentalist ideology of its extremists. For me, Algerian and Islam are not that, but rather a body and a soul. I have proclaimed this often enough, I think, in the light of what I have received from it. I so often find there that true strand of the Gospel which I learned at my mother's knee, my very first Church, precisely in
Obviously, my death will appear to confirm those who hastily judged me naïve or idealistic: "Let him tell us now what he thinks of it!" But these persons should know that finally my most avid curiosity will be set free. This is what I shall be able to do, please God: immerse my gaze in that of the Father to contemplate with him His children of Islam just as he sees them, all shining with the glory of Christ, the fruit of His Passion, filled with the Gift of the Spirit whose secret joy will always be to establish communion and restore the likeness, playing with the differences.
For this life lost, totally mine and totally theirs, I thank God, who seems to have willed it entirely for the sake of that JOY in everything and in spite of everything. In this THANK YOU, which is said for everything in my life from now on, I certainly include you, friends of yesterday and today, and you, my friends of this place, along with my mother and father, my sisters and brothers and their families. You are the hundredfold granted as was promised!
And you, too, my friend of the last moment, who will not have known what you were doing:
Yes, I want this THANK YOU and this "A-DIEU" to be for you, too, because in God's face I see yours.
May we meet again as happy thieves in
-----Christian de Cherge
Labels:
Allah,
Christian,
Christianity,
Cistercian,
conversion,
deCherge,
God,
grace,
Interfaith,
Islam,
love,
Muslim,
Testament,
Trappist
Sunday, August 10, 2014
a single dream
Wednesday, July 23, 2014
feast and fidelity
Everyone here is waiting
for the audacious touch
of your fire. Our only
words are songs.
We hear your longing
and return it,
a courageous trust,
a fidelity,
a proclamation,
a feast.
We are ready
for your unruly
tenderness. We beg
for the dangerous
encounter we were
born to affirm.
Somewhere, someone
is already remembering
the child's obedient
poverty, the wild
and willing freedom
every birth invites.
-----©Laura Sorrells 2014
all rights reserved
for the audacious touch
of your fire. Our only
words are songs.
We hear your longing
and return it,
a courageous trust,
a fidelity,
a proclamation,
a feast.
We are ready
for your unruly
tenderness. We beg
for the dangerous
encounter we were
born to affirm.
Somewhere, someone
is already remembering
the child's obedient
poverty, the wild
and willing freedom
every birth invites.
-----©Laura Sorrells 2014
all rights reserved
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About Me
- Laura
- Georgia, United States
- I live at the edge of the forest in a little town in the north Georgia mountains. I teach sixth grade Language Arts and am writing a memoir of sorts about family, spirituality, and narrative. I am also exploring a possible writing project having to do with contemporary lay contemplative experience and how it might be informed by the Desert Fathers and Mothers of early Christianity. I am a relatively recent convert to Roman Catholicism and an admirer of Pope Francis, Leonardo Boff, Joan Chittister, and Richard Rohr. I'm a Lay Associate of Our Lady of the Holy Spirit Monastery in Conyers, Georgia. I am interested in indigenous cultures, narratives, and spirituality, especially how these can inform my spirituality as a lay contemplative. I write, read, take pictures, play around with creating ephemera from paper and cloth and other organic things. I cook, hike, watch wildlife, and collect random bits of interesting oddness, both tangible and abstract. I am a seer of smallness and a caretaker of ridiculous minutiae. If you want, e-mail me at riverrun67@gmail.com or lksorrells@hotmail.com.





