These hooks hang onto hunks
of a color I can’t name,
Not auburn
or burnt sienna.
More like the
ubiquity of rust
And the flakes of its oxidizing
scrim.
The tumble of bead
over stone
like the kaleidoscope
my mother gave me
when I was twenty
and its assurance of flow.
The horsehair smells like a
currycomb,
hay on a wooden floor,
and the funk of farriers’ tools
warming in the sun
after their congress with horseshoe,
hoof,
and nail.
It sticks and streams
out
from hooked hunks
of barbed wire,
a testimony to presence,
the imagined body of absence,
and how they play together,
like the glow of new metal
before rust reaches it
and gives it blood.
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